Ephemeral art is a form of art that exists for a short period of time before it disappears. It can be performed live or exist only through documentation. Performative art is an artistic practice where the artist's body or action becomes part of the work itself. Both forms of art are often created to resist traditional institutions like museums and galleries because they do not fit into their criteria for collection or exhibition.
Both types of art can also function as ways of preserving history without being collected in museums or archives. This essay will explore how ephemeral and performative art can preserve historical memory outside institutional frameworks.
1: Historical Memory
Ephemeral and performative art can preserve historical memory by creating new narratives that challenge dominant ones. By subverting traditional norms and conventions, these forms of art create alternative histories that challenge existing power structures.
Feminist performance artist Karen Finley used her own body to reclaim female sexuality in her performances. Her actions challenged society's view of women as passive objects while simultaneously celebrating female pleasure. Her performances were meant to be ephemeral but they have been documented and continue to inspire artists today.
Physical Presence
Ephemeral and performative art can preserve historical memory by documenting physical presence. These forms of art leave behind traces of what happened during their creation or display. The physical presence of ephemeral and performative art can act as a record of past events that would otherwise be forgotten. Performance artist Marina Abramovic has left behind traces of her performances through photographs and videos. She continues to influence contemporary art even though she does not collect any of her works herself.
3: Oral Tradition
Ephemeral and performative art can preserve historical memory through oral tradition. Performers often share the stories behind their work with audiences who then spread them further. These stories become part of folklore and help shape cultural memory.
Singer-songwriter Bob Dylan told stories about social justice movements in his songs which inspired generations of activists. His music is considered folk music because it was passed down through oral tradition rather than collected in an archive.
Ephemeral and performative art can function as powerful ways of preserving history outside institutional frameworks. By creating new narratives, documenting physical presence, and sharing oral traditions, these forms of art can challenge existing power structures and create alternative histories.
It is important to note that these methods are not exclusive to each other - ephemeral and performative art can also exist within traditional institutions if they want to be preserved for posterity.
Can ephemeral or performative art function as a form of historical preservation outside institutional frameworks?
Yes, ephemeral and performative arts can serve as forms of historical preservation beyond traditional museums and archives by creating memorable experiences that transcend time. Ephemeral performances often capture the essence of an era through creativity and innovation, which can be documented and shared digitally for future generations. Performative artists may not create physical objects that are preserved in galleries or private collections but rather rely on their performances and recordings to document their work.