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RADICAL QUEER CINEMA: DEFYING BINARY THINKING IN EXPLORATION OF LOVE & SEXUALITY THROUGH METAPHYSICS OF INTIMACY

3 min read Queer

RADICAL QUEER CINEMA AND THE METAPHYSICS OF INTIMACY AND PERCEPTION

Radical Queer Cinema is a term that refers to films created by LGBTQ+ individuals and filmmakers from marginalized backgrounds. It originated in the late 1960s and early 1970s, during which time queer people were often excluded from mainstream society and faced discrimination based on their gender identity and sexual orientation. As such, radical queer cinema became a way for these artists to express themselves and explore topics related to love, sex, gender, and identity through an alternative lens. The metaphysics of intimacy and perception are key themes in many of these works.

The concept of metaphysics can be defined as the study of reality or existence beyond what is perceivable by human senses. Intimacy refers to close relationships between people who share emotional bonds or physical contact. In terms of radical queer cinema, this could involve portrayals of same-sex couples, non-binary individuals, transgender characters, polyamorous relationships, and other unconventional dynamics that defy traditional norms around romance and sexuality. These films often challenge the notion of binaries and binary thinking, exploring fluid identities, desires, and relationships.

One example of a film that explores these concepts is 'Paris Is Burning' (1990), directed by Jennie Livingston. This documentary follows the lives of drag queens, trans women, and gay men living in New York City during the late 1980s. Through interviews and footage captured at the annual ball scene, it examines the ways in which marginalized communities create their own spaces of belonging and community despite being shunned by larger society. The film also touches upon issues such as classism, racism, and homophobia within the LGBTQ+ community itself.

Another example is 'BPM (Beats Per Minute)' (2017) directed by Robin Campillo. Set in France during the AIDS crisis of the 1980s and early 1990s, the film focuses on the activist group Act Up Paris. It depicts the fight for access to medication and treatment for HIV/AIDS patients while exploring the struggles faced by those in the community who are affected by stigma, discrimination, and prejudice. The film portrays intimate moments between members of the group as they form deep bonds based on shared experiences and struggles.

Radical queer cinema can also offer an alternative metaphysics of perception, challenging traditional notions of what is seen or experienced through filmmaking techniques.

Some films utilize experimental editing, sound design, or visual effects to convey emotional states, sexual desires, or internal thoughts that may be difficult to express with words alone. Others play with time and space to create surreal worlds where boundaries and borders blur. This approach allows viewers to see things differently, pushing them out of their comfort zones and encouraging them to rethink their assumptions about gender, sex, and relationships.

Radical queer cinema offers a unique perspective on intimacy and perception that challenges binary thinking and celebrates diversity and difference. By exploring these concepts through storytelling and visual artistry, it provides audiences with new ways of understanding themselves and others while inspiring empathy and compassion towards those who may be marginalized or misunderstood.

Can radical queer cinema offer an alternative metaphysics of intimacy and perception?

Radical Queer Cinema is a film genre that emerged in the late 20th century as part of the larger LGBTQ+ movement for social justice and equality. It challenges heteronormative narratives by creating its own worldview based on nonconformity, individualism, and acceptance of different identities.

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