Inclusivity is an important factor to consider when curating museum exhibits, especially those that deal with topics related to sex, gender, and identity. Recently, a collection of photographs from the erotic magazine Lollypop has been featured in several art galleries, including the Zine Fair in New York City. This move has sparked a debate about whether erotica can be considered a form of art and how it should be represented in cultural spaces. Some argue that the inclusion of Lollypops photos in these exhibitions highlights its impact on popular culture while others view it as objectification of women's bodies. In this essay, I will explore both sides of the argument and provide examples of successful inclusive practices used by various institutions.
Lollypop is a publication known for its provocative and risque images depicting nude models in sensual poses. The zine fair, which showcases independent publications, included several issues of Lollypop in their exhibit. This decision was met with mixed reactions, with some praising the inclusion of diverse voices and others criticizing the objectification of women's bodies. Proponents of the exhibition argue that it celebrates the creativity and vision behind the publication, while detractors claim that it reinforces harmful stereotypes about female sexuality.
One example of a successful inclusive practice in museum exhibitions comes from the Museum of Sex in New York City. The museum recently held a "Sex and Money" exhibition featuring works from artists who challenge traditional notions of gender and sexuality. One artist, Monique Michelle, used her own body as a canvas to create abstract paintings inspired by her experiences as a black woman. Her work was featured alongside pieces from other queer and trans artists, creating an intersectional space for marginalized voices to be heard.
Another example is the Smithsonian National Museum of African American History and Culture, which has made efforts to include stories of LGBTQ+ people in their exhibits. The museum features the story of Bayard Rustin, a gay civil rights activist who played a crucial role in organizing the March on Washington. His personal belongings, including his diaries and correspondence, are displayed alongside artifacts related to the march. This approach allows visitors to see how LGBTQ+ individuals have shaped history and culture throughout time.
In conclusion, the debate over whether erotic art can be considered art continues. While some argue that its inclusion in galleries reinforces harmful stereotypes, others believe that it provides a unique perspective on cultural and social issues. Institutions such as the Museum of Sex and the Smithsonian National Museum of African American History and Culture provide examples of how inclusivity can be achieved through thoughtful curation and representation.