How Does Cinematic Representation of Bisexuality Reflect Cultural Assumptions, Anxieties, and Norms Surrounding Sexual Fluidity?
Bisexuality has been a topic of fascination for filmmakers since the early days of cinema. From the silent era to present day, bisexual characters have graced the screen, often in stereotypical ways that reinforce cultural assumptions about their identities. While some films offer nuanced portrayals of bisexual individuals, many others rely on outdated tropes that perpetuate negative stereotypes. In this essay, we will examine how cinematic representation of bisexuality reflects cultural assumptions, anxieties, and norms surrounding sexual fluidity.
The term "bisexual" refers to someone who is attracted to both men and women. According to a study conducted by the Williams Institute, approximately 2% of American adults identify as bisexual.
Research suggests that the true number may be higher due to stigma and discrimination against those who identify as bisexual. This stigma can manifest in various ways, including the way bisexuality is represented in popular culture.
Many classic Hollywood films depict bisexuals as promiscuous or sexually unstable individuals.
In "The Maltese Falcon," Sam Spade (Humphrey Bogart) pursues two women at once, but ultimately chooses one over the other. Similarly, in "Gentlemen Prefer Blondes," Lorelei Lee (Marilyn Monroe) flirts with multiple men throughout the film, despite her love interest being engaged to another woman. These films suggest that bisexuality is not compatible with monogamy or commitment, which has been used to justify discriminatory policies and laws against LGBTQ+ people for decades.
More recent films have attempted to challenge these stereotypes, but still struggle with representing bisexuality accurately.
"Blue Is The Warmest Color" follows the romantic relationship between two young women, but focuses on their physical intimacy rather than their emotional connection. In this case, bisexuality becomes primarily defined by its eroticism, reinforcing the idea that bisexuality is about sex rather than identity.
Despite progress towards more nuanced representations, many films continue to rely on outdated tropes. Bisexual characters are often portrayed as confused or indecisive, unable to choose between men and women. They may also be presented as manipulative or deceptive, using their sexuality to gain power or influence over others. This perpetuates the myth that bisexuality is a phase or something to be ashamed of, furthering cultural anxieties surrounding non-binary identities.
Cinematic representation of bisexuality reflects deeply held cultural assumptions, anxieties, and norms surrounding sexual fluidity. While some films offer positive depictions of bisexual individuals, many rely on stereotypical tropes that can be harmful to those who identify as bisexual. As society continues to grapple with issues of gender and sexuality, it is crucial that filmmakers create more accurate and authentic portrayals of bisexuality, free from negative stereotypes. Only then will we truly understand the complexity and richness of human sexuality.
How does cinematic representation of bisexuality reflect cultural assumptions, anxieties, and norms surrounding sexual fluidity?
In cinema, bisexual characters are often depicted as promiscuous and unstable individuals who cannot make up their minds about their sexual preferences. This portrayal reflects cultural assumptions that bisexual people are sexually uninhibited and constantly searching for pleasure, which perpetuates negative stereotypes around them.