The word "sensual" has various meanings that refer to both physical and emotional experiences. In terms of art, sensuality can be seen as a way for artists to explore and express their own unique perspectives through the creation of works that evoke feelings of desire, pleasure, comfort, or intimacy. The concept of "sexual space" is used in architecture to describe an environment designed for sexual activities. Such environments often have specific features such as curtains, mirrors, and soft lighting. However, there are also many examples where artists have created spaces that go beyond these traditional elements and incorporate more abstract concepts like time, sound, and movement into their creations. For example, RHK's installation "Sensual Spaces" uses a series of different settings to create an immersive experience that emphasizes sensory details such as temperature, scent, and texture rather than solely relying on visual stimuli. This approach allows viewers to explore how sensuality can change depending on context and perspective.
As an artist, I am interested in exploring how different environments shape the experience and portrayal of eroticism. By using my background knowledge of psychology, sociology, and architecture to understand how humans interact with their surroundings, I strive to create artwork that captures the complexities of human emotion and behavior. My goal is to create work that makes people think about their relationships with others while simultaneously challenging them to consider how they perceive themselves. One way I do this is by creating installations that challenge traditional ideas about what constitutes "sensual." My first project was called "Bedroom," which featured a large room covered with soft bedding and furniture. Although it may seem like any other bedroom at first glance, closer inspection reveals that its surfaces are filled with intricate patterns and textures inspired by Japanese kimono fabric. The space has no windows or doors leading out; instead, it is entirely enclosed except for one small opening near the ceiling. Visitors must enter through this opening and navigate through the tight quarters while being surrounded by soft materials. Once inside, they are presented with various objects—such as vases or books—that add to the atmosphere without overwhelming the viewer. Each object has been chosen carefully based on its symbolic meaning: flowers represent fertility and growth while books represent learning and knowledge. Additionally, sound and light contribute to the overall mood of the installation, making it feel both calming yet mysterious.
This piece is part of a larger series titled "Exploration of Sensual Spaces," which seeks to explore different ways in which artists can use sensuality in their work. While some pieces rely heavily on visual elements, others incorporate other senses such as touch or sound. For example, my second piece "Studio" relies more on tactile experiences than visual ones. It features walls lined with velvet curtains draped around the edges so that viewers must reach out and pull them back to experience the artwork fully. Inside the studio, viewers will find several paintings depicting intimate moments between lovers. The images themselves are abstract but evocative—reminiscent of classical nude portraits without any specific sexual act taking place. Viewers may also notice that each painting has been painted onto wood rather than canvas, giving them an organic feeling. This choice was intentional because I wanted to create something unique compared to traditional oil paintings typically seen in galleries. By combining these two aspects—sensuality and abstraction—I hope visitors will be able to gain insight into how art can be used to explore relationships beyond just sex itself.
The final piece in this series is called "Public Space." Inspired by Japanese gardens, it takes inspiration from public spaces where people gather for communal activities like festivals or ceremonies. Unlike previous installations, there are no private rooms here; instead, everything happens within the space itself. A large tree occupies one corner while various sculptures made of metal fill another area. These sculptures resemble human bodies in various states of undress, suggesting a sense of freedom and vulnerability. However, they do not appear overtly erotic but rather seem like sculptural forms meant to evoke feelings of wonder and discovery. Viewers can walk through this installation at their own pace, experiencing it as an immersive environment rather than passively watching from outside. As with my other pieces, sound plays a crucial role here too: gentle music fills the room while birdsong echoes softly throughout it. Overall, "Public Space" strives to show how sensuality does not always have to be confined to int