The use of erotic subtext in musicals is a powerful tool that allows them to challenge traditional societal norms and expectations surrounding gender roles, sexuality, power dynamics, and interpersonal relationships. From the earliest days of theatre until today, musicals have used song and dance to explore these topics in ways that are both entertaining and thought-provoking. In this essay, I will discuss some notable examples of how erotic subtext has been employed to critique social norms and conventions throughout history.
One such example is "Oklahoma!", which was written by Richard Rodgers and Oscar Hammerstein II in the early 1940s. The show explores the complicated relationship between Curley and Laurey, who struggle with their attraction for each other while also navigating the expectations of their respective communities. Throughout the show, there are numerous scenes where the characters' emotions are expressed through sensual language and gestures, but nothing explicit happens on stage. Instead, the audience must infer what is happening from the context clues provided by the actors' performances. This approach creates an interesting tension between what the characters want and what society expects of them, allowing the audience to question whether their desires are legitimate or not.
Another example is "West Side Story," which was written by Leonard Bernstein and Stephen Sondheim in the 1950s. The show features two rival gangs - one white and one Puerto Rican - fighting over territory in New York City. As part of this conflict, Tony and Maria fall in love despite their different backgrounds and the social stigma associated with it. Their relationship is portrayed as passionate and intense, with several moments of physical intimacy that are implied rather than shown directly. By using erotic subtext, the show challenges traditional ideas about race, class, and sexuality, asking us to consider why we judge people based on these characteristics instead of focusing on their individual humanity.
In "Hairspray," written by Marc Shaiman, Scott Wittman, and Mark O'Donnell in the late 20th century, the main character Tracy Turnblad struggles with her weight and lack of popularity.
When she discovers a local dance show hosted by Edna Turnblad, she finds acceptance and community. The show explores gender identity and body image issues through suggestive lyrics and choreography that challenge societal norms around beauty standards. By presenting Tracy as confident and unapologetic in her own skin, the show encourages audiences to reconsider their preconceived notions about what makes someone attractive.
More recently, "Dear Evan Hansen" tackles mental health issues through the lens of its protagonist Evan. The show features several scenes where he expresses his anxieties and insecurities through song and dance, including an iconic moment where he strips down to his underwear while singing about how much he wants to be accepted for who he is. These moments create a sense of vulnerability and intimacy that resonates deeply with many viewers struggling with similar issues. Through this approach, the show encourages empathy and understanding towards those living with mental illness, challenging society's stigma against it.
Musicals have used erotic subtext to critique social norms and conventions throughout history, provoking thoughtful discussions about power dynamics, relationships, and self-acceptance. From "Oklahoma!" to "Hairspray," these shows use sensual language and imagery to explore complex themes in ways that are both entertaining and impactful.
How do musicals use erotic subtext to critique social norms and conventions?
Musicals have been known for using various techniques such as erotic subtext to convey their messages effectively. One of the most common strategies is the employment of subversive sexuality that is used to challenge traditional values and norms related to sex and gender roles. In this context, eroticism can be used to expose hypocrisy within society, especially when it comes to the control over one's body and behavior.