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THE SHOCKING STORY BEHIND ONE OF THE MOST CONTROVERSIAL AD CAMPAIGNS IN NYC HISTORY! RU EN ES

The 1995 New York City Subway Ad Rejection - Hustler's Attempt To Place Provocative Ads In Subway Stations

In 1995, the publisher Larry Flynt attempted to place provocative advertisements in New York City subway stations that were rejected by the Metropolitan Transportation Authority. Flynt criticized the decision as hypocritical censorship because the subway regularly displayed other controversial political and commercial ads. He argued that the rejection was an act of unwarranted government control over free speech. The incident sparked discussions about public advertising standards and the right to express unpopular opinions.

Flynt had planned to run four full-page advertisements for his magazine 'Hustler' during morning rush hour from October 28 to November 4, 1995. The ads featured images of naked women along with slogans such as "You've seen the magazines but never the girls" and "Ladies who love sex". They also included a phone number where readers could call to receive more information about 'Hustler'.

The MTA refused to allow the ads, citing its guidelines against sexual explicitness. It stated that it did not condone any form of pornography or indecency and that the ads violated its policy. Flynt responded by filing a lawsuit against the MTA, claiming that his First Amendment rights had been violated. He argued that the MTA had allowed similar advertisements, including a campaign promoting abortion clinics and another promoting contraception. However, the court ruled in favor of the MTA, stating that the agency has the authority to determine what is appropriate for display on its property.

This case set off a debate over the role of government regulation in public spaces. Some argued that the MTA should allow all types of advertising as long as they were not explicitly illegal. Others believed that the agency had a duty to protect the public from obscenity and indecency. The rejection of the Hustler ads led to a new set of standards for public advertising in New York City, which prioritized content over commercial value.