Masking is an important aspect of queer performance that has been used to explore various themes related to identity, authenticity, and social performance. In this article, I will discuss how metaphors of masking have been used by queer artists to interrogate these concepts and create powerful performances.
One example of metaphorical masking in queer performance is drag. Drag involves performers adopting exaggerated versions of stereotypes associated with certain gender identities. This can be seen in the work of RuPaul's Drag Race contestants like Alaska Thunderfuck, who often performs in hyper-exaggerated feminine clothing and makeup. By doing so, they subvert expectations about what it means to be female and challenge societal norms around gender presentation. Similarly, drag king performers like Dottie Luxx take on masculine roles and behaviors that are typically associated with men, challenging the idea that masculinity is inherently superior or more desirable than femininity.
Another type of metaphorical masking in queer performance is clowning. Clowns are known for their ability to play with different personas and identities, and queer clowns use this technique to explore issues related to authenticity and identity construction.
In their performance piece "The Queer Clown," Holly Hughes examines the tension between being true to oneself and performing for others. The piece features a clown character who struggles with questions such as "Who am I?" and "What do I want?" while simultaneously putting on different faces and personas.
Yet another form of metaphorical masking in queer performance is fetishwear. Fetishwear includes clothing and accessories that highlight particular body parts or sexual practices, and it has been used by many queer artists to interrogate ideas of authenticity and social performance. In his performance piece "Fetish Fashion Show," Dani Roche uses fetishwear to explore how our bodies can become objects of desire and power. The piece features models wearing leather and latex outfits that accentuate certain parts of their bodies, questioning the ways in which our culture objectifies women's bodies.
Metaphors of masking in queer performance have been used to interrogate various aspects of identity, authenticity, and social performance. By using these techniques, queer artists create powerful performances that challenge societal norms and push boundaries. Whether through drag, clowning, or fetishwear, they remind us that identity is never fixed and that we should always be open to exploring new ways of presenting ourselves.
How do metaphors of masking in queer performance interrogate authenticity, social performance, and identity construction?
One way to understand the relationship between metaphors of masking and queer performance is by examining how they interrogate our notions of authenticity, social performance, and identity construction. Masks have been used as symbols of deception for centuries, often associated with false identities or facades that conceal one's true self.