Gallery is an American pornographic magazine that was published from 1964 to 20008. It was distributed worldwide, in both print and digital formats. The magazine had a long history of featuring artistic cover designs created by guest illustrators. In this article, we will explore some of these unique and captivating covers that helped to define Gallery's distinctive visual identity. One of the most famous of these was a painting by Robert Crumb, who contributed several covers during his time at Gallery in the late 1960s. His work featured psychedelic imagery and surrealist elements, often depicting scenes of sexual fantasy. Another artist whose work graced Gallery's covers was Tom Sutton, who provided illustrations for the magazine throughout the 1970s. His style was characterized by a cartoonish approach, with exaggerated features and vibrant colors. In addition to these well-known artists, there were many lesser-known contributors whose works also became highly sought after by collectors. For example, Ed Emshwiller's cover illustration for the December 1973 issue featured two nude women entwined in a passionate embrace, while Richard Corben's cover for the May 1975 issue showed a scantily clad woman being seduced by a giant insect. These covers helped to establish Gallery as a brand that was not afraid to push boundaries and experiment with different forms of expression. They were also seen as a way to elevate the status of pornography from mere titillation to fine art. Gallery's use of hand-drawn or painted covers set it apart from its competitors, which tended to rely more heavily on photographs. This commitment to originality and creativity helped to create a loyal following among fans of erotic art. While some may find Gallery's covers shocking or provocative, they undeniably added a unique and exciting dimension to the world of adult entertainment. These covers remain highly prized today by collectors and are considered an important part of the history of erotic art.
Gallery is an American pornographic magazine published between 1964 and 2008. It had a global distribution both in print and digital formats. The magazine created a distinctive visual identity through its occasional commissioning of guest illustrators to design their covers rather than using photographs. Robert Crumb's painting, psychedelic imagery, and surrealist elements characterized his work for the magazine during the late 1960s. Tom Sutton contributed illustrations to Gallery throughout the 1970s, featuring cartoonish features and vibrant colors. Ed Emshwiller's cover drawing for December 1973 featured two nude women entwined in passionate embrace. Richard Corben's May 1975 cover portrayed a scantily clad woman being seduced by a giant insect. The covers enhanced Gallery's reputation as a brand that pushed boundaries and experimented with different forms of expression. They established Gallery's position between erotica and fine arts while creating a devoted fan base among lovers of sexual imagery. However, some viewers found the covers shocking or offensive because they challenged norms. Nevertheless, these covers remain cherished by collectors who value them as significant works of erotic art.