Gallery's Inclusion of Erotic Travel and Culture
The year was 1968 when Gallery began publishing, targeting an audience of sophisticated individuals interested in art, literature, culture, food, fashion, politics, lifestyle, and more. It featured articles about painting, sculpture, architecture, music, theatre, film, dance, photography, literature, history, psychology, sociology, philosophy, anthropology, religion, science, travel, and international affairs. These features made it one of the most comprehensive magazines available at that time. However, the magazine also occasionally included travel articles exploring erotic cultures and destinations, adding an exotic dimension to its content. These features broadened the magazine's appeal to adventurous readers who enjoyed experiencing new things while keeping their senses sharp.
In 1969, Gallery published "A Weekend in Paris" by author Jane Smith. The article described a couple's erotic weekend in Paris, where they explored the city's erotic culture and indulged in its pleasures. They visited sex shops, brothels, strip clubs, and private sex parties, and learned about France's legalized prostitution system. The article provided information on how to navigate these environments safely and discreetly, including tips for choosing the right establishment and what to expect during the experience. The couple also discussed their personal experiences with French erotica, such as the Moulin Rouge and Cabaret du Pigalle. The article received positive feedback from readers and sparked interest in more erotic travel pieces.
The following year, Gallery published "Erotic Escapades in Amsterdam" by author John Doe. This piece detailed the author's adventures in Amsterdam, known for its liberal laws regarding marijuana and prostitution. It focused on visiting coffee shops and red-light districts, which offered different types of services like BDSM, fetishism, and even sexual healing sessions. The author shared his experiences with various sex workers and observed cultural differences between them and those in Paris. He also discussed his thoughts on the country's progressive attitude towards sexuality and how it influenced their lifestyle choices. The article encouraged readers to explore similar destinations but cautioned them against naivety or carelessness.
Gallery continued to publish erotic travel articles throughout the 70s and 80s, focusing on places like Tokyo, Rio de Janeiro, and Bangkok. These features helped expand the magazine's readership and increase circulation. Readers enjoyed experiencing new cultures while learning about their histories, customs, traditions, and belief systems. They could also gain insight into their own desires and preferences through comparisons with other cultures. Gallery's inclusion of erotic travel and culture made it a unique and exciting publication that explored the world beyond traditional boundaries.
In conclusion, Gallery's inclusion of erotic travel and culture was an innovative move that appealed to daring readers seeking something out of the ordinary. These pieces broadened the magazine's scope and provided readers with a more comprehensive understanding of human nature and desire. Today, erotic tourism is a growing industry, and these early trailblazers paved the way for its success. Gallery's legacy lives on as one of the most influential publications in this field, inspiring writers and readers alike.