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AVOIDED COMEDYBASED KINK: EXPLORING HOW HUMOR CAN BE USED IN PORNOGRAPHY WITHOUT OFFENDING WOMEN HUSTLER MAGAZINE RU EN ES

Avoided Comedy-Based Kink

Hustler is an American adult magazine that is known for its explicit images and stories. It is one of the most popular magazines in the world, with millions of copies sold each year. The magazine has been published since 1974 and features articles about celebrities, sex, relationships, fashion, and culture. In recent years, however, it has also started publishing articles about pornography. This trend has led to some controversy among readers and critics alike. One such article was "Avoided Comedy-Based Kink", which explores how comedy can be used in pornography without being offensive or degrading to women.

Taboo is another magazine that focuses on kink. It was founded in 2006 and publishes both erotic fiction and nonfiction. Taboo's approach to kink is much more serious than Hustler's; it avoids parody or slapstick while still exploring taboos in depth. For example, one story from the September issue of Taboo follows two characters who meet at a swingers party but never actually have sex because they are too busy exploring their fetishes together. Another story tells the story of a man who becomes obsessed with his neighbor's daughter after seeing her naked through the window. These stories showcase how kinks can be portrayed seriously and respectfully without relying on humor or exaggeration.

Comedic kink, as represented by Hustler, tends to rely heavily on satire and absurdity. Many comedians use this style to make jokes about topics like BDSM or bondage; others take it even further by creating entire sketches around these subjects. However, there are drawbacks to this type of comedy: it can be seen as exploitative or dismissive of real people who practice these activities. By contrast, Taboo takes an unabashedly feminist stance when discussing kink; its writers aim to create thoughtful pieces that explore sexual desires without mockery or ridicule.

Some critics argue that both magazines are equally problematic because they present kink as something that must always be presented with humor or exaggeration—a viewpoint that ignores the seriousness of many practitioners' experiences. They also point out that both publications cater mostly to heterosexual men, which means they may not accurately reflect the diversity of all kink communities. Others praise Taboo for its commitment to authenticity while condemning Hustler for using stereotypes as punchlines.

In conclusion, both magazines offer different perspectives on kinky content, but neither is perfect in terms of representation or accuracy. It would be interesting to see what would happen if either publication attempted a more nuanced approach to their subject matter; perhaps they could write articles about non-binary identities within the world of kink or explore how women use kinks in relationships.

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